What role might the Arts play in addressing an “environmental” movement? For an anthropologist, a culture’s art is not just a collection of facts about how, practically and concretely, these people went about their lives. It animates the spirit of those lives. To someone who is sensitive to such things, art paints a picture of what specific human cultures understood and valued. Their behavior and choices make sense to us, not because we would have made the same choices but because we see that they had a rationale and one that must have been deeply compelling to them. I think it is clear that, even though the word “rational” is part of the word “rationale,” it seems far more accurate to understand human behavior as being fundamentally motivated by feelings and values, rather than by a rational mind. We are not computers, though reductionist science is not averse to thinking our brains are simply this and no more. Nor are we robots of rigorously rational consumption, though modern economics seems to want to define mankind in this way, and to further define the beautiful, wild and dynamic earth as a “free market.” 
An environmental movement that tries to argue for change using only rational and utilitarian arguments will not bring us closer to a wise relationship with the place in which we live. Good science and clear thinking has a great role to play. But if our rationale does not include affection for the places where we live, our cleverness and accumulated knowledge won’t matter. We need good stories, told compellingly by people who care about the land they stand on, the water they drink, and the creatures with whom they share living space.
The name of this blog is taken from the title of a poem by one of America’s greatest poets, James Dickey. It is a fierce poem, deeply felt, beautiful in its rage and near despair.
FOR THE LAST WOLVERINE
They will soon be down
To one, but he still will be
For a little while still will be stopping
The flakes in the air with a look,
Surrounding himself with the silence
Of whitening snarls. Let him eat
The last red meal of the condemned
To extinction, tearing the guts
From an elk. Yet that is not enough
For me. I would have him eat
The heart, and from it, have an idea
Stream into his gnarling head
That he no longer has a thing
To lose, and so can walk
Out into the open, in the full
Pale of the sub-Arctic sun
Where a single spruce tree is dying
Higher and higher. Let him climb it
With all his meanness and strength.
Lord, we have come to the end
Of this kind of vision of heaven,
As the sky breaks open
Its fans around him and shimmers
And into its northern gates he rises
Snarling complete in the joy of a weasel
With an elk’s horned heart in his stomach
Looking straight into the eternal
Blue, where he hauls his kind. I would have it all
My way: at the top of that tree I place
The New World’s last eagle
Hunched in mangy feathers giving
Up on the theory of flight.
Dear God of the wildness of poetry, let them mate
To the death in the rotten branches,
Let the tree sway and burst into flame
And mingle them, crackling with feathers,
In crownfire. Let something come
Of it something gigantic legendary
Rise beyond reason over hills
Of ice screaming that it cannot die,
That it has come back, this time
On wings, and will spare no earthly thing:
That it will hover, made purely of northern
Lights, at dusk and fall
On men building roads: will perch
On the moose’s horn like a falcon
Riding into battle into holy war against
Screaming railroad crews: will pull
Whole traplines like fibres from the snow
In the long-jawed night of fur trappers.
But, small, filthy, unwinged,
You will soon be crouching
Alone, with maybe some dim racial notion
Of being the last, but none of how much
Your unnoticed going will mean:
How much the timid poem needs
The mindless explosion of your rage,
The glutton’s internal fire the elk’s
Heart in the belly, sprouting wings,
The pact of the “blind swallowing
Thing,” with himself, to eat
The world, and not to be driven off it
Until it is gone, even if it takes
Forever. I take you as you are
And make of you what I will,
Skunk-bear, carcajoy, bloodthirsty
Non-survivor.
Lord, let me die but not die
Out.
– James Dickey, “For the Last Wolverine” from Poems 1957-1967. Copyright © 1967 by James Dickey.
